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epistler ([personal profile] epistler) wrote in [community profile] antishurtugal_reborn2025-05-23 04:52 pm
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Immortality In The Cycle

 I've been thinking about this recently. Why did Paolini insist upon making Eragon immortal? And Riders and dragons generally, for that matter?

I mean okay obviously the answer is because getting to live forever is a pretty common form of cheap wish fulfilment given that nobody wants to die. But other than that... why?

As it turned out in the end, there really wasn't any reason at all for Eragon to be immortal because the entire Cycle is over and done with in about two years (I'm including the year that apparently passes in between the end of the war and Eragon's psycho ass leaving the country). He hasn't even hit twenty by the end, so it's not as if there was some risk of his dying of old age before everything was resolved. In fact it's reduced to a complete afterthought that Eragon's going to live forever. Even his whining about how he "has" to be with Arya because she's immortal too is lip service at best and swiftly forgotten. 

Instead, his immortal status has no bearing on the plot and no consequences for him as a character. It's just kind of... there. 

Of course, this is ignoring the wider implications of the Riders, dragons and elves all being immortal, and the dragons in particular. There's a reason why your average apex predator is going to be comparatively short-lived and fewer in number than their prey. Unlike, say, a tortoise who only eats plants. If the dragons bred like rats (who are extremely short-lived creatures) and also lived forever, with no mention of becoming infertile at any point, then it makes no sense whatsoever that the country was somehow able to sustain thousands and thousands of them. 
Nor does it make any sense that the Riders were immortal and numbered in the thousands with more being added to the ranks every single year, yet didn't end up overpopulating the country in their own right. Even less so that there were so many of the fuckers yet they were somehow taken out by a tiny handful of rebels. 

This is why, in most stories, if there are immortals they're likely to be written according to the following rules:
  • There aren't very many of them. Possibly there's only one or two
  • They either cannot have children, or they can but the kids don't inherit their immortality
  • They're not functionally invincible as well but have some kind of weakness and can be killed
Or some combination of the above. If not, then in a good book there will be consequences to there being thousands of powerful immortals running around. It might well be the entire point of the story: that this is the situation and it's causing serious problems which the protagonists must deal with. 

Plot and world-building aside, immortality can be a very interesting subject to explore on a character level. After all, just imagine what it would be like to know you're going to live forever. Or to have already been alive for hundreds of years and there's nothing you can do about it short of suicide. There is after all a reason why immortal characters are so often written as tragic figures. You have to keep watching people age and die around you. All your loved ones will be lost to time sooner or later. And that would be agony to anyone who isn't a completely cold-hearted sociopath (maybe that's why Eragon really doesn't seem to have a problem with it?). I've written a few immortal characters in my time and pretty much all of them ended up becoming very sad people. One succumbed to nihilistic depression and substance abuse because they couldn't cope with the loneliness. 

But not once does Eragon stop to think "oh hell, I'm going to outlive Roran and all his descendants, what am I going to do when that happens?" Though to be "fair" that is consistent with his pattern of never thinking about things in the long term and only thinking about his immediate petty concerns like food or Arya not putting out. He does after all have no personal hopes or dreams. Even Murtagh, who at least before he became Morontagh, should have had the sense to know a relationship with Nausea was a bad idea because he's immortal and she's not. But this never comes up either. 

Nor do any of the immortal characters in the Cycle change as a result of having lived for hundreds of years. Oromis and Glaedr are supposed to be ridiculously old, but both of them act like petulant children. Supposed ultimate mastermind Galby is still making rookie mistakes after a century on the throne. Of course it tracks with Paolini's usual pattern of his characters not learning and growing from their experiences, but it becomes particularly glaring when some of them still haven't managed it after a thousand years of doing... whatever it is they even do with all that time. 

Something else that really doesn't help is that in LoTR, the existence of immortal elves and such was part of giving Middle Earth that feeling of antiquity which was so important to both the plot and setting. Inheritance doesn't have that. There is no feeling of antiquity, no "ancientness", no real sense of history at all, and it feels like the events of the books themselves take place over a couple of long weekends. And no, throwing in stuff about things being "ancient" such as Galby being an "ancient foe" does nothing to fix that. Galby isn't Sauron. He's only been around for a century. There are regular human beings in the real world who have lived longer than that. My great-grandma lived to be over a hundred. 

Anyway, that's some thoughts. The TL;DR version would be "the immortality in this thing is worse than pointless".  
pangolin20: A picture of a griffon vulture. (Vulture)

[personal profile] pangolin20 2025-05-25 08:04 pm (UTC)(link)

Maybe that would have been the Sithi of Tad Williams? I've heard of them as an inspiration, at least.

And yes, I'd expect such relationships to be much more easy-going; after all, the elves have all the time to join with people they actually like. If there were to be hostility, I'd expect it to be between different cities or different groups in society, not everyone trying to manipulate everyone (and how would that have started, anyway?).

We don't even find out at what point the two of them will stop ageing - it's stated in book two that Eragon is still going through puberty, or at least implied. Will he stop ageing any further when he hits, say, 25? And if so, why that particular age?

That's a very good question! With Oromis, we don't get much about how old he is physically, apart from "neither young nor old", and Galbatorix lost Jarnunvösk when he was around twenty, so he isn't exactly representative, either. The impression I got myself (which isn't exactly based on much) was something like 25 to 30. As for why it's that age... maybe because it's old enough to be quite adult, but not old enough to be "old" in any sense? (shrugs)

For the child characters, it'd almost be worth it to wait until societal attitudes change, I think. They've got all the time to wait that out, at least.

It was actually kind of easy to miss that a year passes between the end of the war and the end of the book given how dreadful the pacing is. I noticed nobody ever celebrates or even mentions a birthday at any point.

Yeah, I mostly pieced it together from the passage of the seasons, which Paolini's better at mentioning, at least.

He really should know when further tinkering will just break previous canon. I just hope he won't do the same with To Sleep...

pangolin20: A picture of a carrion crow. (Corneille Noire)

[personal profile] pangolin20 2025-05-26 06:06 pm (UTC)(link)

I got it from MG myself, so I think there's quite some basis to suspect that!

Instead they're all stiff and formal for some reason, and don't seem to have any friends.

Yeah, I'm not seeing the appeal of it, and Paolini only manages to bring out the downsides of this, not any potential upsides. The "be very careful of what you say, lest you offend someone" part also seems a bit like what you could see authoritarian society, so that doesn't help, either.

For the seasons... yeah, he does a very poor job of conveying the passage of time there, and seems to be confused whether a year actually passed or not.

I hope he doesn't write any To Sleep sequels, full stop.

Well, he did write Unity... Yeah, it really isn't a sequel, but it's set after To Sleep and deals with issues from that book, so it did have the potential to mess things up. As for a proper sequel, I don't think I'd mind seeing it if done well (though I think the plot would be too slight for a whole book), but I really don't trust Paolini to do so.

pangolin20: A picture of a white crow in a tree (White Crow)

[personal profile] pangolin20 2025-05-28 07:40 pm (UTC)(link)

Exactly! And even if they weren't invincible, why not try out all sorts of safer stuff (skydiving's pretty safe, from what I've heard, for example)? I really can't think of any elf doing something like that..

If these guys are IMMORTAL, you could quite reasonably expect it to be the opposite: like 100 years is an eyeblink to us so why should we give a damn about something that happened last week?

Yeah, that too; why would you waste so much of your time on grudges and stuff? You'd think they'd leave it alone after a while...

For the pregnancy, I'm not convinced it was that long in Elain's case (and a cleft palate develops early in the pregnancy, and thus has nothing to do with overlong ones anyway), but in Katrina's... yeah, that's two months past the longest on record. I see that the placenta begins to fail after the ususal term of the pregnancy, so Ismira should most probably have died.

Well why would you? The guy has squandered every other chance he's had.

Yeah, he genuinely has, and it's kind of a pity to see.