Paolini's Attention Span
Mar. 31st, 2025 07:11 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
( Continuity? Can't say as I've heard of it )
Oops, Let's Fix That On The Sly
Mar. 30th, 2025 06:44 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Here's what they've found so far.
( You know what? Fuck all of you. )
I found this article.
Apr. 13th, 2024 09:59 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
How Big Is Alagaesia Exactly?
Jan. 16th, 2024 12:59 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
So he's suggesting, from what I can infer from that, is that the continent Alagaesia is located on is bigger than the continental United States. So does that mean the continent on which Alaglag sits is bigger than both Europe and Asia combined? Because if that's the case, Alagaesia takes up a very small portion of that land. Because I remember hearing somewhere that calculations were done and Alagaesia itself is about as big as Great Britain.
So I just thought that was interesting, and figured I'd share.
Especially because, if you think about it, if the continent is really that big, why aren't there more countries? Why isn't there trade? Why does Eragon only go three days away by boat to settle where he settles when he literally has an entire continent that's apparently bigger than Europe and Asia combined?
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( At Least There's No 13th Reason )
Fractal Noise cover art criticism
Dec. 31st, 2022 02:27 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
https://gizmodo.com/tor-book-ai-art-cover-christopher-paolini-fractalverse-1849904058
A few weeks ago, right here on io9, readers got their first look at the cover for Christopher Paolini’s newest Fractalverse novel, Fractal Noise. Almost immediately, people could see something was off about the artwork used on the cover.
With some quick deduction, Twitter users realized that it was AI-generated art, which was originally posted to a stock art site by a user named Ufuk Kaya. It was also arranged by the in-house designer, who is not credited—something unusual for Tor, as the publisher often promotes the art directors and designers of each cover.
After receiving widespread backlash online, Tor posted the following message on its Twitter, which explains that it licensed an image from a “reputable stock house.” While this is totally normal, what’s not normal is that Tor, a massive publishing company, would not have realized that this was AI-generated. Tor is well-known for its extremely good covers; through its many imprints, especially TorDotCom and Nightfire, it has often used incredible illustrators to create covers. This apology is weak, and what’s more, it’s frustratingly devoid of any change or explicit promises not to use AI-generated images in the future.
Not only is it a ripoff of the Interstellar movie poster, it's also AI-generated stock art!
Paolini has since tweeted that Fractal Noise has already been delayed by over a year and was not going to be delayed any further to commission new cover art, and also that any of his future books would only have AI-generated cover art "over [his] dead body"
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There's also a summary, which sounds rather generic to me: July 25th, 2234: The crew of the Adamura discovers the Anomaly.
On the seemingly uninhabited planet Talos VII: a circular pit, 50 kilometers wide. Its curve not of nature, but design.
Now, a small team must land and journey on foot across the surface to learn who built the hole and why. But they all carry the burdens of lives carved out on disparate colonies in the cruel cold of space. For some the mission is the dream of the lifetime, for others a risk not worth taking, and for one it is a desperate attempt to find meaning in an uncaring universe.
Each step they take toward the mysterious abyss is more punishing than the last. And the ghosts of their past follow.
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Anyway, the article (http://www.shurtugal.com/2022/09/09/christopher-paolini-confirms-that-the-eragon-tv-show-will-be-live-action/) basically asks Paolini the question on if the series is going to be live-action or animated. This question was asked because he expressed concerns over the budget required for a live-action show versus an animated show's budget. Not enough money = reductions in magic effects and Saphira's screen time.
And I'm like... "Saphira's arguably the main character of the series. The story literally couldn't happen without her. She has to be on screen at least as much as Eragon will be."
Anyway, the article goes on to say that Paolini's confirmed that the Eragon tv series is definitely going to be live-action. For the moment, anyway. He's super concerned about his own involvement in the series, whether he's going to be able to have a say or not, if he's going to be able to make it "as good as possible" (does that mean as faithful as possible to the source material?) or not, and is it even possible to realize his vision on a tv budget.
Dude. It's Disney. If they want to throw millions of dollars at it, they're going to throw millions of dollars at it.
He goes on to talk then - and this is what really caught my attention more so than Saphira not being on screen because of money issues - about Saphira being a main character. This is coming from the guy who wrote the story. I literally went "wut, but Saphira is a main character! You made her a main character! How could she not be a main character now?" Then I thought about it and went, yeah, no. Saphira's not a main character. She's sidelined hard the moment she hatches, and becomes a periphery character at best until Eragon needs her to prop him up in some shape or form. Even at the end of the story, she's nothing but Eragon's fancy mode of transportation and she's relegated off-screen to do the dirty because... because. So, yeah, does she really need to be there? They could save money by literally not having her present except for maybe some cardboard cutout shadows and a whispery British voiceover and characters staring off into space where someone's holding a tennis ball on a fishing line.
Also, if you go look at the article, there's a fun picture of someone having taken a Game of Thrones dragon and colored it blue.
I Walked Down a Rabbit Hole...
Sep. 14th, 2022 07:53 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
( Rabbit Rabbit I Follow You Down )
JKR Pulls a Paolini
Sep. 9th, 2022 11:11 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
NOTE: THIS IS ABOUT ROWLING'S HORRIBLE WRITING AND NOT HER HORRIBLE OPINIONS. So let's not get side-tracked with arguments about that, okay?
Now we've got that out of the way, you may have heard that Rowling's new "Robert Galbraith" book is - to put it mildly - an embarrassing trainwreck. A couple of things jumped out at me from this article which sounded both pertinent and familiar:
If you become an extremely successful author, your publisher is less likely to care about the quality of the books you write. If everything you write is guaranteed to sell well because you have built a large audience, then the editor may be disinclined to reject a new manuscript even if it is obviously terrible. Perhaps they will try to offer some constructive suggestions. Or perhaps they will just print whatever you submit, knowing that the purpose of a for-profit publishing company is to sell as many books as possible, not to sell the best books possible.In other words this is why Rowling was able to publish a novel that contains pages upon pages of fictitious tweets bullying her painfully obvious self-insert*, and also why Paolini was able to publish an excruciatingly long and boring mediocre Star Trek episode with Venom shoehorned in mostly in order to give his latest Sue lots of pointless superpowers.
[*Seriously, if you can make it to the end of the extracts presented in the linked review without losing the will to live you're a stronger person than I am]
I think we can take a few lessons from The Ink Black Heart: First, every writer needs a good editor who can tell them when they have produced something that shouldn’t be published, and as you become more successful and sycophants begin telling you that your farts smell like roses, it is more important than ever to have people around who can say “no.”Indeed.
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Part 1: https://antishurtugal-reborn.dreamwidth.org/262083.html
Part 2: https://antishurtugal-reborn.dreamwidth.org/262772.html
Part 3: https://antishurtugal-reborn.dreamwidth.org/266299.html
Part 4: https://antishurtugal-reborn.dreamwidth.org/276539.html
Quick recap, Paolini has spend almost 30 minutes crapping on about himself, and then another 30 minutes condescendingly giving advice to a teen author who sent in her work to be critiqued.
We continue:
( We suffer for your enjoyment )
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Part 1: https://antishurtugal-reborn.dreamwidth.org/262083.html
Part 2: https://antishurtugal-reborn.dreamwidth.org/262772.html
Part 3: https://antishurtugal-reborn.dreamwidth.org/266299.html
Apologies for the long delay between parts, its really hard to get the motivation to listen to Paolini talking about writing, let alone to transcribe his words.
Quick recap, Paolini has spend almost 30 minutes crapping on about himself, while the starry-eyed host sounds like she slowly becomes more and more uncomfortable talking to him.
( Painstakingly transcribed by hand, because we love you )
Join us next time in Part 5, for more tears, rage, and histerical laugher. Not from Paolini, from Epistler and me.
For the record, we are not just over half way through the podcast.